Jazz 105 became an environment where musicians could practise performing for live audiences, try new material and meet promoters. Reporting credits Hozheri's support for artists including Jah Prayzah and Victor Kunonga; this is a venue-and-mentorship story, not proof that any single club created their talent.
The Winter Jazz Festival expanded the stage to school jazz ensembles, including Prince Edward and Churchill, as well as regional and international performers. The historical venues, posters, Friday-night rituals and stories of who played before whom deserve preserving.
Jazz 105 later broadened its programming beyond jazz. A nostalgic archive must document venues as places of work for bartenders, sound engineers, promoters and technicians too, as well as for headline singers.
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